A Reader’s POV

I read a lot of books, by most folks’ measures. In the last few years, the mix has skewed more strongly toward fiction, partly as a result of reading so many articles and blog posts online–a real mixed bag of (mostly) non-fiction. I do still read non-fiction books, though, although the mix there is tending more toward DIY books of various kinds, now, with fewer and fewer sci-tech, philosophy, history, and suchlike.

How many is “a lot”? Generally more than one/day, a little more than twice as many as the average American reads each year,* according to some, but nothing to brag about. The only reason I say as much is that I think–perhaps–I have some sort of feel about what’s being published nowadays, both from “traditional” publishing and “indie” publishing, and I have to say, it’s mostly crap.

You read that right. I read more than a book a day, but I start and “circular file” at least 2 more that aren’t worth my time. And what makes them not worth my time?

  • jejune plots, characters, dialog, and narration that could be better done by the average lobotomized fifth grader
  • execrable English: everything from words misused (MANY of them!) to grammar apparently straight from a reference titled, “Stupid English for Stupid People”
  • an insulting lack of homework/research done and overall dumbfounding ignorance about topics keyed to plot or characterization (example: when a writer doesn’t know the difference between a semi-automatic firearm and a revolver but is writing a character whose weapons proficiency is key, it’s insulting)
  • baffling, completely, totally and absolutely stupid lack of internal agreement: Hey! That truck the character is now driving was a mini-van on the previous page!

And that’s just considering the fiction. On non-fiction, consider instructions in a DIY book to do things on a project in a way that WILL NOT WORK, CANNOT WORK, ARE COMPLETELY STUPID. Insulting the reader or targeting stupid people as the writer’s intended market? Either way, crap.

And no, let me repeat: these issues are not limited to “indie” books. The standards for both text and editing in books being published–by whatever means–is in the toilet nowadays.

But. . . of the books I give a shot at my eye time, one in three is still worth reading, so there’s that. *sigh*

Still, that’s slightly better than the one in five or six links to new (to me) voices on the Internet that are worth reading. That’s ~16%-20% of the links I follow from articles, searches, etc. Not bad, really, when talking about the interwebs. So, why I expect better from published (by whatever means) books? Because these writers expect to be paid for their writing. If they’re going to be paid, they ought to make sure they have the chops to write well and they ought to do their homework and PAY FOR LITERATE copy editing and line editing, since few writers are capable of performing those tasks themselves. (I have read advance reader copies–pre-editing–from a few writers that are remarkably clean, well-edited already by the writers, but such writers are few and far between.)

Note to writers: LEARN how to write. If you want to write in English, LEARN THE LANGUAGE. No, growing up speaking it doesn’t count. READ a LOT of well-written text. Concentrate on writers who can really write. No, not writers who write like you do. (In another recent post, I suggested a couple of writers whose command of English exceeded that of 99% of writers today. That sort of writer.) From there, proceed to writer who really challenge you, but STAY AWAY FROM SUCKITUDINOUS FICTION! After a few years focused on well-written text, then try writing again. Next: Find editors/proofreaders outside your circle of friends and acquaintances, editors/proofreaders who are more literate, better-read than you are. Pay them what they’re worth to fix your crap.

That might make an otherwise bad piece of dreck worth reading, IF you do the rest of your homework and either have an interesting story to tell or a useful skill to impart.

Maybe.


One of the funniest/stupidest things I’ve seen in a recent “slush pile reject” was a repeated misuse of “ridden,” as in “the bullet-ridden car” referring to a car that had been thoroughly riddled with bullets. A sure sign of an a-literate writer whose exceptionally weak verbal vocabulary exceeds that of his reading vocabulary. The rest of the thing wasn’t any better, but I did waste 20 minutes on it, just to be as fair as possible.

*Excluding those who claim to have read no books, the average read (by those who have read any books at all) is generally reported as ~7. Oh, no reference/link? Use your search-fu, Grasshopper. 😉