Playing Christmas Music Already?

For most of my life, until recently, Christmas music began at least mid-October, if not a bit earlier, because that’s when rehearsals for performances of Christmas music began in the volunteer music groups I have been a part of since early childhood. For a large part of my life, Christmas music began even earlier–sometimes soon after Easter, in fact–because in many cases I was responsible for the selection of material, rehearsal, production and direction of such programs, often for several different groups, and sometimes even in different venues with different organizations in the same year.

And a few times, such preparation begged for new music, or new arrangements suited to a particular program, which also fell to me to write or arrange.

So, folks who rail against Christmas music played before Thanksgiving really amuse me. I now listen to Christmas music for enjoyment, enrichment, and sometimes () with an ear to performance all throughout the year, whenever the mood strikes, for while Easter is definitely the single most important Holy Day for Christians, the celebration of the Incarnation is a celebration of the promise that Easter fullfills.

And so, when I listen to Christmas music–real Christmas music, not pop pap, these words always echo in the back of my mind somewhere:

Trees and lights and bells and carols,
Bright-wrapped packages piled high;
Winter’s sharp blow joins the heralds:
“Christmastime is nigh!”

Mailmen hurry; shoppers scurry;
Time is fleeing – Oh! So fast!
Parties gather, loud and merry,
Grander than in Christmas’ past.

Pause a moment to remember
That a Savior’s simple birth
Still stirs angel wings in susur’ –
“Peace to men; good will on earth!”

Now the Father’s hands that molded
The first Adam in the clay,
Gently ’round a manger folded,
Cradle a Baby in the hay.

So the Greatest Gift extended,
Gift of love and peace to all,
“God’s great love to man descended”
Calls us to a manger stall.

— “The Gift” ©1990 David W Needham

So, yeh, if it’s not pop pap (or pop crap like “Merry Christmas Baby” or other such crap songs), I’m all in for Christmas music year-round.

Educating Medical “Professionals”

Annual “permission slip” Dr. visit last week: ears so plugged up with gunk I almost didn’t mind having the same questions asked again. . . and again. . . by two different forms and three different people. #gagamaggot

At least something educational came of the visit, though. Nurse dropped in to ask the SAME QUESTIONS as on the form in her hand that I had just filled out and noted that she didn’t have to ask if I were depressed, because she assumed that anyone whistling a “happy” tune was in fine spirits.

“That’s a fallacious assumption,” I told her. “I’m simply whistling a tune I am listening to ‘between my ears’ in order to drown out the dreck y’all are playing on your sound system. It doesn’t mean I am ‘happy’ but that I’m listening to something better than that stuff that would gag a maggot.”

“Oh. So do you have feelings of depression?”

“Oh, yeh. That ‘music’ y’all arer playing makes me want to end it all.”

“Oh, OK. I’ll see if we can turn it down then.”

“Thank you. Now THAT makes me happy.”

*heh*

Music for Xmas, In Your Head

I’ve never really been satisfied with Gustav Holst’s CRANHAM as a tune for the following poem, probably because the words seem too quietly, gently powerful for the tune, but perhaps you’ll hear it differently in your mind’s ear as you read the words.

In the Bleak Midwinter
By Christina Rossetti

In the bleak midwinter, frosty wind made moan,
Earth stood hard as iron, water like a stone;
Snow had fallen, snow on snow, snow on snow,
In the bleak midwinter, long ago.

Our God, Heaven cannot hold Him, nor earth sustain;
Heaven and earth shall flee away when He comes to reign.
In the bleak midwinter a stable place sufficed
The Lord God Almighty, Jesus Christ.

Enough for Him, whom cherubim, worship night and day,
Breastful of milk, and a mangerful of hay;
Enough for Him, whom angels fall before,
The ox and ass and camel which adore.

Angels and archangels may have gathered there,
Cherubim and seraphim thronged the air;
But His mother only, in her maiden bliss,
Worshipped the beloved with a kiss.

What can I give Him, poor as I am?
If I were a shepherd, I would bring a lamb;
If I were a Wise Man, I would do my part;
Yet what I can I give Him: give my heart.

Just another gripe about dumbed-down society

One of the worst failings of many contemporary performers attempting to sing classic songs (or really any songs at all, it seems at times) is that all too many can’t really hear music, let alone perform music. As Dietrich Fischer-Dieskau often said when asked about his facility singing both lieder and opera (thought by many to be vastly different musical genres), “Man muss sich anhören was die Musik sagt.” Those who can’t really hear what the music is saying turn in performances that are either bland and tasteless or inappropriate to the marriage of text and tune. IOW, MOST typical contemporary performing/recording “artists”–except when they “sing” pieces that match their musically-stunted tastes and abilities. But that’s pretty much OK with an audience that has even less ability to discern music.

Just another of the effects predicted by José Ortega y Gasset in The Revolt of the Masses (La rebelión de las masas).


Fischer-Dieskau: “One must listen to what the music says.”

Come, Emmanuel!

You may have to click through for this (because YouTube can be a prickly lil creep from time to time), but it’s well worth it.


And just for fun, and better than the Mannheim Steamrolloer and Trans Siberian Orchestra versions, IMO:

More Pop Xmas

I’ve said nice things about Kristen Chenoweth’s rendition of “The Christmas Waltz” elsewhere (and I promise to do so here as well, Real Soon Now), but she also pretty much nails “I’ll Be Home for Christmas”–apart from the tones she sings through her nose, but since the rest is really, really good, I can forgive that I suppose.

A Real Gospel Song for Xmas

This is a Gospel song that’s not one according to the contemporary, degenerate pop style definition or even the slightly older, very loose “account of personal relationship” description but based on the fact that it tells the Gospel story.

Who Is He in Yonder Stall?
Benjamin Hanby (sometime in the 1860s)

Who is He in yonder stall,
At whose feet the shepherds fall?

’Tis the Lord! oh wondrous story!
’Tis the Lord! the King of glory!
At His feet we humbly fall,
Crown Him! crown Him, Lord of all!

Who is He in deep distress,
Fasting in the wilderness?

Who is He the people bless
For His words of gentleness?

Who is He to whom they bring
All the sick and sorrowing?

Who is He that stands and weeps
At the grave where Lazarus sleeps?

Who is He the gathering throng
Greet with loud triumphant song?

Lo! at midnight, who is He
Prays in dark Gethsemane?

Who is He on yonder tree
Dies in grief and agony?

Who is He who from the grave
Comes to succor, help, and save?

Who is He who from His throne
Rules through all the worlds alone?

Note that when I used this with choirs (including congregational “choirs”), I would routinely note and direct the singing of the chorus only after specific verses, depending on the season. Other variations on arrangement would generally be added, again depending on the season and my own preference (directorial prerogatives rule! *heh*).

Here’s a very good (very straight) performance from the Moody Bible Institute Choir, from sometime in the 1990s.

Weihnacht

A fav, and so a re-post:

The song sung in the video below can be found here: Weihnachslieder: Dietrich Fischer-Dieskau. The video includes an additional work, “Über die Geburt Jesu,” by Andreas Gryphius (11 October 1616 – 16 July 1664). The song sung by Dietrich Fischer-Dieskau in the video (accompanied by Jörg Demus) is, “Es senkt sich hehr und leise die heil’ge Nacht herab” by Karl Heinrich Carsten Reinecke (1824-1910).

Über die Geburt Jesu
Andreas Gryphius

Nacht, mehr denn lichte Nacht! Nacht, lichter als der Tag,
Nacht, heller als die Sonn’, in der das Licht geboren,
Das Gott, der Licht; in Licht wohnhaftig, ihm erkoren:
O Nacht, die alle Nächt’ und Tage trotzen mag!
O freudenreiche Nacht, in welcher Ach und Klag
Und Finsternis, und was sich auf die Welt verschworen,
Und Furcht und Höllenangst und Schrecken war verloren!
Der Himmel bricht, doch fällt nunmehr kein Donnerschlag.
Der Zeit und Nächte schuf, ist diese Nacht ankommen
Und hat das Recht der Zeit und Fleisch an sich genommen
Und unser Fleisch und Zeit der Ewigkeit vermacht.
Der Jammer trübe Nacht, die schwarze Nacht der Sünden,
Des Grabes Dunkelheit muß durch die Nacht verschwinden.
Nacht, lichter als der Tag! Nacht, mehr denn lichte Nacht!

Weihnachtslied
Karl Heinrich Carsten Reinecke

Es senkt sich hehr und leise die heil’ge Nacht herab,
die Nacht, die uns vor Zeiten der Welten Heiland gab;
und Orgelton und Glockenklang ertönen weit und breit
und bringen uns die Kunde: “Christ wurde uns geboren heut!”

Und Scharen sel’ger Kinder umstehn den Weihnachtsbaum,
der jetzt im Glanz der Kerzen verklärt manch schlichten Raum;
und in der Glocken Töne mischt Kindersang sich ein:
“Gott in der Höh’ sei Ehre und Frieden soll auf Erden sein!”