If I ever tire of Phreddie P. Phineas Phocksphire Pharquhar, I think I would be happy to adopt “Nanny McPhee” as a sobriquet. . . although my Wonder Woman thinks “Manny McPhee” would be a bit less gender-bending. 😉
Thatisall.
"In a democracy (‘rule by mob’), those who refuse to learn from history will be the majority and will dictate that everyone else suffer for their ignorance."
If I ever tire of Phreddie P. Phineas Phocksphire Pharquhar, I think I would be happy to adopt “Nanny McPhee” as a sobriquet. . . although my Wonder Woman thinks “Manny McPhee” would be a bit less gender-bending. 😉
Thatisall.
Every now and then, I see the “Taxes are theft” meme crop up again. It’s simplistic and wrong. Taxes are only theft when government begins to apply revenue thus gained in violation of its essential purpose: the protection of individual rights and liberties. As long as government hews closely to its legitimate purpose, and taxes are not obtained through coercion, taxes are not theft.
Of course, this means that taxes are theft. . . *sigh*
When Roger Simon wrote, “We don’t need elegant words, Republican John Kerry’s slavering all over us with diplospeak” in a recent column, I thought to meself, “Self, that would read much better with ‘dildospeak’ than ‘diplospeak.'”
Thatisall.
Periodically, I look back at my life accomplishments and failures and find balance wanting. Of course, during this time of year, when I am under strong influence to “ac-cent-uate the positive,” really black moods fall prey to a couple of realities. The first, a constant that has regularly batted the screwballs of depression out of the park for the past 37 years, is that when Tuesday rolls around, I’ll have opportunity to celebrate (again) what I celebrate anyway, any day during any year that I stop to think: My Wonder Woman loves me enough to stay my wife (it’s not my fault, really! *heh*)
The second booster is that I have–quite by fortuitous chance, I assure you–had opportunity to be instrumental in keeping a couple of the members of my family alive, once with CPR (my Wonder Woman) and once, with Son&Heir, by extracting a penny he was choking on. Crawling babies, shag carpet, loose change: not a good mix. *shrugs*
I find recalling those events and then looking at my Wonder Woman’s face does much to remind me that God has greatly blessed me, far beyond my due. (Then there’s the whole, “Well, I haven’t awakened in hell where I have, by all rights, earned a place,” thingy. Grace: what a strange and wonderful thing, eh?)
Clip vs. Magazine: In personal conversations–either IRW or via social media/forums, etc.–I simply explain the differences when someone misuses “clip” when referring to a magazine. When it’s misused by someone who is or expects to be paid for their writing, I excoriate such morons for not doing their homework. Such misuse in print by people being paid (or expecting to be paid) for their poor work ethic is reprehensible.
For reference, here is one type of clip–there are many–and one type of magazine (in this case, a stripper clip for [likely] a semi-automatic rifle with an internal magazine, and an external magazine for a semi-automatic or select fire rifle):
Of course, magazines for pistols and moon clips (and half-moon clips) for revolvers look a bit different to the pics above, but the differences between clips and magazines are so very clear and simple that writers who expect to be paid (or who have accepted pay) for writing articles or books who misuse “clip” to refer to a magazine are disgusting, lazy slugs who disrespect their readers with their poor work ethic.
Ah, I really should have just linked this and let it go, I suppose. *sigh* Lazy, subliterate, disrespectful frauds pretending to be writers wouldn’t care, anyway, and ordinary folks who simply want to know would just click on through and. . . learn.
“Hickock45” does a great job (as always) explaining the terms:
Or not?
My inability to suffer fools gladly (or even not at all) limits commercial air travel for me, due to Thugs Standing Around idiocy, so this isn’t really germane to my needs, but I’ll gladly pass it along to more tolerant folks.
While reading my pdf copy of Korsybski’s “Science and Sanity,” I found myself wanting to correct minor errors of punctuation, probably introduced by the conversion from hardcopy and not caught by the line editor. The text itself seems perfectly logical–if dense and sometimes even obscurantist (though I am assured that is by design)–and without any obvious errors. It’s just that periods in the middle of sentences irritate me.
Or. . . did Korzybski do that intentionally for that reason? Just to thump that bone on folks like me? I’d not put it past him. . . *heh*
BTW, naturally each chapter in the pdf copy is separately password protected (because the copy I have is available only in discrete chapters), so I can’t correct them w/o cracking the password (probably doable with the tools I have on hand or can access), but that’s just too much like work. *heh*
The problem with reading fiction is that there is a limited number of plots, and I’ve read them all many, many times, in so many combinations and permutations that I invariably think, “Déjà vu all over again,” when reading a novel. Characters, descriptive narrative, and minute plot variations are the interest points I read fiction for anymore. Well, that and a writer’s deftness (or lack thereof) with a story arc, etc. *shrugs* There’s enough left to feed the addiction. Re-reading exceptionally well-written fiction is quite often much more interesting than most new material available.
Non-fiction? Different criteria in many ways.
The problem with self-pub? Whole HERDS of 20-something illiterate liberal arts graduates “writing” books for a “readership” of their peers. The sheer depth of their cultural, historical and LITERARY illiteracy (grammar atrocities, word misuse, COMPLETE misunderstanding of background and usage of common expressions, etc., etc.) is mind-boggling. It’s too late to lobotomize them. They’ve already done such a good job on themselves, already.
(Yes, there are a few who actually either know how to use a dictionary and form moderately coherent sentences. . . or else have gone outside their cohort and enlisted the aid of the rare literate proofreader/editor to clean up their glurge.)
Yeh, yeh. Dylan Thomas said it best (though about a different kind of death): “Rage, rage against the dying of the light. . . ” *heh*
One of the worst failings of many contemporary performers attempting to sing classic songs (or really any songs at all, it seems at times) is that all too many can’t really hear music, let alone perform music. As Dietrich Fischer-Dieskau often said when asked about his facility singing both lieder and opera (thought by many to be vastly different musical genres), “Man muss sich anhören was die Musik sagt.” Those who can’t really hear what the music is saying turn in performances that are either bland and tasteless or inappropriate to the marriage of text and tune. IOW, MOST typical contemporary performing/recording “artists”–except when they “sing” pieces that match their musically-stunted tastes and abilities. But that’s pretty much OK with an audience that has even less ability to discern music.
Just another of the effects predicted by José Ortega y Gasset in The Revolt of the Masses (La rebelión de las masas).
Fischer-Dieskau: “One must listen to what the music says.”